Skip to Main Content

Theft of the Mona Lisa: About

Theft of the Mona Lisa

Link to Master Thieves: The Boston Gangsters Who Pulled Off The World's Greatest Art Heist by Stephen Kurkjian in the catalog
Link to _how I went undercover to rescue the world's stolen treasures by Robert K Wittman in the catalog
link to The Thefts of the Mona Lisa in the catalog
link to Saving Mona Lisa in the catalog
Link to The Rescue Artist: a true story of art, thieves, and the hunt for a missing masterpiece by Edward Dolnick in the catalog
link to The 500 Million Dollar Heist: Unsolved Case Files in the catalog

Watch

Stolen: How the Mona Lisa Became the World’s Most Famous Painting

It was a quiet, humid Monday morning in Paris, 21 August 1911. Three men were hurrying out of the Louvre. It was odd, since the museum was closed to visitors on Mondays, and odder still with what one of them had under his jacket. They were Vincenzo Perugia and the brothers Lancelotti, Vincenzo and Michele, young Italian handymen. They had come to the Louvre on Sunday afternoon and secreted themselves overnight in a narrow storeroom near the Salon Carré, a gallery stuffed with Renaissance paintings. In the morning, wearing white workmen’s smocks, they had gone into the Salon Carré. They seized a small painting off the wall. Quickly, they ripped off its glass shadow box and frame and Perugia hid it under his clothes. They slipped out of the gallery, down a back stairwell and through a side entrance and into the streets of Paris. They had stolen the Mona Lisa.

 

It would be 26 hours before someone noticed The Mona Lisa was missing. It was understandable. At the time the Louvre was the largest building in the world, with more than 1,000 rooms spread over 45 acres. Security was weak; fewer than 150 guards protected the quarter-of-a-million objects. Statues disappeared, paintings got damaged. (A heavy statue of the Egyptian god Isis was stolen about a year before the Mona Lisa and in 1907, a woman was sentenced to six months in prison for slashing Jean Auguste Ingres' Pius VII in the Sistine Chapel.) At the time of the “Mona Lisa” heist, Leonardo da Vinci's masterpiece was far from the most visited item in the museum. Leonardo painted the portrait around 1507, and it was not until the 1860s that art critics claimed the Mona Lisa was one of the finest examples of Renaissance painting. Continue reading from The Smithsonian Magazine

Link to Art Heists that Made History resource guide series